Panning
Panning is the spread of a monaural signal in a stereo or multi-channel sound field - it is critical to the make up of the stereo image.

Centering Key Elements
The center of the sound field is usually the busiest part of a mix. Keep these elements in the center for a solid foundation:
- Kick
- Snare
- Bass
- Vocals
While these elements generally ground the mix, feel free to experiment—rules can be broken!
Positioning Other Instruments
For other instruments, pan left or right of the center:
- Avoid Hard Panning: Extreme left/right panning can create clutter.
- Balance the Stereo Field: Try to position sounds within subtle stereo zones.
Balancing the Mix
To maintain balance:
- Counterbalance Panning: For each element panned one way, pan another in the opposite direction.
- Reduce Masking: Give each instrument space to prevent sounds from overlapping.
Example of Effective Panning
When two electric guitars play at once, they often compete for space. Try this:
- dfg df
- Guitar 1: Pan left by 40%
- Guitar 2: Pan right by 40%
This simple adjustment can help free up room in the mix.
Experimentation is Key
There are no absolute rules for panning. Experiment and trust your ears—if it sounds good, go with it!
Suggested Panning Positions
The table below suggests some commonly used positions. A clock face is used as the comparable analogy to panning, with 7 and 5 on the clock being hard left and hard right. Pan the instruments anywhere between these positions.
Instrument | Position | Comment |
---|---|---|
Kick
![]() |
Bass heavy instruments, such as the kick, should be kept near the centre as to not disrupt the balance of the track | |
Snare![]() |
The snare reinforces the rhythm of a track and therefore should be set around the centre | |
Toms![]() |
One tom to the left and the other to the right helps balance up the mix. Toms are best used on fills only. Beware if Toms are set too wide they can be very distracting and over-powering in the mix | |
Hi-Hat![]() |
Hi Hats can be panned flexibly as they emit high frequencies and do not disrupt the balance too much | |
Overheads![]() |
Overheads are best panned fairly wide but should never be too loud as to distract the listener | |
Bass Guitar![]() |
Bass heavy instruments, such as the bass guitar, should be kept near the centre as to not disrupt the balance of the track | |
Rhythm Guitar![]() |
If the rhythm guitar has been double track pan the two tracks hard left and hard right | |
Acoustic Guitar![]() |
If the acoustic guitar has been double tracked or recorded in stereo pan the two tracks hard left and hard right | |
Piano![]() |
Stereo
Mono
|
For a stereo recording of the piano, pan the two tracks left and right. If recorded in mono try panning just off centre. |
Strings![]() |
Wide pads and strings help to really open up a track | |
Vocals![]() |
Vocals should generally be kept dead centre, although there are many stereo techniques which should not be overlooked |