A compressor provides automatic control over the level of an audio signal, often resulting in a more even, controlled sound, with loud peaks being reduced and quieter parts being increased.

With a compressor the dynamic range is effectively reduced. The dynamic range of a sound is the range between the quietest and loudest section, or in the case of a recording, the range between the noise floor and the point of distortion.


Common Controls

Input Gain

The input gain sets the amount of signal to be sent to the input stage.

Soft Knee/Hard knee

Soft Knee provides a more gradual form of compression, producing a less drastic result. Hard knee provides an abrupt, sudden form of compression.

soft-hard-knee compressor


The threshold sets the level at which the signal is not affected by the compressor. For example, if the threshold was set to -15dB all signals that fall below this will be unaffected, while the signals above this will to attenuated (reduced) according to the set ratio.


The ratio determines exactly how much compression is applied to the signal. For example, at a ratio of 2:1, if the signal input level is increased by 2dB, a level change of only 1dB appears at the compression output.


The attack determines how fast the compressor responds to the signal. A short attack means the compressor responds quickly where as a long attack means the compressor responds slower. If the attack is set too short you may lose the start of an important sound, such as the attack of a percussion sound. In this situation it would be best to use a slower attack setting. If however the attack time is set too long, the compressor may not react in time allowing short peaks to come through which may distort the signal. The attack time is measured in milliseconds.


Release sets how quickly the compressor ceases to act after the signal has fallen back below the threshold. If the release is set too fast, the dynamics change too quickly creating a pumping sound. Where as if the release is set too slow the compressor could still be working when a quieter sound that does not need compression. The release time is measured in milliseconds.

Output Gain/Auto Gain Make up

The output gain is used to determine how much signal is sent to the device output. It is used to boost the reduced signal to make it more audible in the mix. Auto gain-make-up automatically increases the signal, usually to 0dB.

Working Example

1. Percussion beat without compression:


2. Compression added with the following settings:


3. Resulting wave after compression: